Saturday, 17 December 2016

John Keats - Selected Odes


John Keats – 1795 - 1821

        John Keats was one of the most important figures in Romantic Age. He was not only the last but one of the perfect Romanticists. John Keats become famous after his death and by the end of 19th century, he has become the most beloved of all English poets. (Wikipedia)




       John Keats was very famous for his appreciation of beauty in all his poems. His Odes are very famous. Here I have explained his four odes which I have studies in my masters. Here I have presented the brief overview of selected odes. For more explanation click on the images below.

 

    1)  Ode on a Grecian Urn –
    
    The poem was writer in May 1819 and published anonymously in the month of January 1820. The poem was included in several “Great Odes of 1819”.

    
                                                        (Click on the images for more explanation)

    2)  Ode to a Nightingale –

      The poem is written either in the garden of the Spaniards Inn, Hampstead, London or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats' house at Wentworth Place, also in Hampstead. According to Brown, a nightingale had built its nest near the house Keats and Brown shared in the spring of 1819

https://yeshab68.blogspot.in/2016/12/ode-to-autumn-john-keats_17.html
                                               
                                                 (Click on the images for more explanation)


    3)  Ode to Psyche –

     "Ode to Psyche" is a poem by John Keats written in spring 1819. The poem is the first of his 1819 odes "Ode to Psyche" is an experiment in the ode genre, and Keats's attempt at an expanded version of the sonnet format that describes a dramatic scene.


https://yeshab68.blogspot.in/2016/12/ode-to-psyche-john-keats.html
                                                
                                                  (Click on the images for more explanation)


     4)  Ode to Autumn -  
     
     The poem was composed on 19 September 1819 and published in 1820. "To Autumn" is the final work in a group of poems known as Keats's "1819 odes". Although personal problems left him little time to devote to poetry in 1819, he composed "To Autumn" after a walk near Winchester one autumnal evening. A little over a year following the publication of "To Autumn", Keats died in Rome.

https://yeshab68.blogspot.in/2016/12/ode-to-autumn-john-keats.html

                                              (Click on the images for more explanation)




Ode to Psyche - John Keats



Ode to Psyche

https://yeshab68.blogspot.in/2016/12/john-keats-selected-odes.html
                                                      (click on the image for more poems)

       Ode to psyche is a poem which expresses the beauty of Psyche from the perspective of a worshipper of beauty Keats. First the poet has expressed the beauty of psyche and then he worships her because she was a neglected goddess. It is connected with the myth of psyche.


O Goddess! hear these tuneless numbers, wrung
By sweet enforcement and remembrance dear,
And pardon that thy secrets should be sung
Even into thine own soft-conched ear:
Surely I dreamt to-day, or did I see
The winged Psyche with awaken'd eyes?
I wander'd in a forest thoughtlessly,
And, on the sudden, fainting with surprise,
Saw two fair creatures, couched side by side
In deepest grass, beneath the whisp'ring roof
Of leaves and trembled blossoms, where there ran
A brooklet, scarce espied:

       In the very first stanza poet addresses Psyche as a goddess. Then he apologises because he is going to expose all the secrets of Psyche’s life and her story. He stars the story by telling that he was wandering in the forest and he saw two lovers together making love in nature. He recognized them as they were Psyche and Cupid.

Mid hush'd, cool-rooted flowers, fragrant-eyed,
Blue, silver-white, and budded Tyrian,
They lay calm-breathing, on the bedded grass;
Their arms embraced, and their pinions too;
Their lips touch'd not, but had not bade adieu,
As if disjoined by soft-handed slumber,
And ready still past kisses to outnumber
At tender eye-dawn of aurorean love:
The winged boy I knew;
But who wast thou, O happy, happy dove?
His Psyche true!

      In the second stanza there is description of both lovers after they have loved each other and still both are in the arms of each other. Then he questions that from two lovers he was aware with the winged boy but was not aware with the lady with him, and suddenly he recognizes that she was his Psyche.

O latest born and loveliest vision far
Of all Olympus' faded hierarchy!
Fairer than Phoebe's sapphire-region'd star,
Or Vesper, amorous glow-worm of the sky;
Fairer than these, though temple thou hast none,
Nor altar heap'd with flowers;
Nor virgin-choir to make delicious moan
Upon the midnight hours;
No voice, no lute, no pipe, no incense sweet
From chain-swung censer teeming;
No shrine, no grove, no oracle, no heat
Of pale-mouth'd prophet dreaming.

.

      In this stanza, Keats described the beauty of the Psyche. He says that she is the most beautiful woman in the world. He used lots of metaphors in his description of her beauty. He also addresses Psyche as a neglected goddess.

O brightest! though too late for antique vows,
Too, too late for the fond believing lyre,
When holy were the haunted forest boughs,
Holy the air, the water, and the fire;
Yet even in these days so far retir'd
From happy pieties, thy lucent fans,
Fluttering among the faint Olympians,
I see, and sing, by my own eyes inspir'd.
So let me be thy choir, and make a moan
Upon the midnight hours;
Thy voice, thy lute, thy pipe, thy incense sweet
From swinged censer teeming;
Thy shrine, thy grove, thy oracle, thy heat
Of pale-mouth'd prophet dreaming

     In this stanza poet says that like all other divinities Psyche has no temple no worshipping song and no flowers for her because she came too late in this world. Though she is the youngest and most beautiful of all the Olympian gods and goddesses she has no worshippers and temples. Keats addresses himself as prophet and starts worshipping Psyche.

Yes, I will be thy priest, and build a fane
In some untrodden region of my mind,
Where branched thoughts, new grown with pleasant pain,
Instead of pines shall murmur in the wind:
Far, far around shall those dark-cluster'd trees
Fledge the wild-ridged mountains steep by steep;
And there by zephyrs, streams, and birds, and bees,
The moss-lain Dryads shall be lull'd to sleep;
And in the midst of this wide quietness
A rosy sanctuary will I dress
With the wreath'd trellis of a working brain,
With buds, and bells, and stars without a name,
With all the gardener Fancy e'er could feign,
Who breeding flowers, will never breed the same:
And there shall be for thee all soft delight
That shadowy thought can win,
A bright torch, and a casement ope at night,
To let the warm Love in!

    
      In the final stanza, poet says to psyche that he will be her priest and his mind will be the temple of her, where the thoughts of poet stays and it will worship her forever. He wants to become the choir, the oracles and music for Psyche. He promises Psyche that he will give her all the delights. He will keep the window of her new temple open at night so her lover can come to meet her, as he says, “Let the warm Love in”

Ode on a Grecian Urn - John Keats



Ode on a Grecian Urn
   

https://yeshab68.blogspot.in/2016/12/john-keats-selected-odes.html
                                                   (Click on the image for more poems)

          Ode on a Grecian Urn represents poet’s love towards Greek Mythology. He has written this poem by taking inspiration from a Greek sculpture. He saw paintings on the sculpture and his imagination flourished. He imagined all the paintings as live human beings.  Keats has presented the life in a motionless ‘Urn’ and wrote a beautiful poem of feelings.

Thou still unravish’d bride of quietness,
Thou foster-child of silence and slow time,
Sylvan historian, who canst thus express
A flowery tale more sweetly than our rhyme:
What leaf-fring’d legend haunts about thy shape
Of deities or mortals, or of both,
In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
What mad pursuit? What struggle to escape?
What pipes and timbrels? What wild ecstasy?

          In the very first stanza Keats has described the beauty of the Urn. From so many years, urn is there and still it is telling the story of its time. Keats calls it  “Bride of Quietness” which suggests the silent beauty of the urn. Urn is as beautiful as bride and it is silently telling the story of its time. Here he used personification. Further he said that the urn is “foster child of silence and slow time”, the word foster suggests adopted child. Urn is not created by time and silence but both have preserved the urn as carefully as they can and still urn is as beautiful as it was before. He looks towards the urn and its paintings and asks himself that whose paintings are these? And are they men or Gods? He feels wild ecstasy from the paintings. He saw the maidens and lovers and how they love each other. Keats has portrayed eternal love and pure emotions in the urn.

Heard melodies are sweet, but those unheard
Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
Thy song, nor ever can those trees be bare;
Bold Lover, never, never canst thou kiss,
Though winning near the goal- yet, do not grieve;
She cannot fade, though thou hast not thy bliss,
For ever wilt thou love, and she be fair!

       The first two lines of the second stanza is very famous. In this line poet says that the melodies which exists and which humans have heard time and again are sweet, but those unheard melodies which poet has felt in the urn are sweeter because it has made from the imagination rather than composition. Heard melodies can be heard by ears but unheard can be feel by heart.
   
     Keats was suffering in his love life, and when he saw the lovers on the urn, he said that they cannot touch each other but can stay with each other always. They will be on urn and never die, and this how their love will be always pure and eternal. He compares their love with earthly love and concept of society and restrictions. As per Keats lovers on earth can touch each other but cannot stay together. The lover on urn will always love his beloved and she will be always young.

Ah, happy, happy boughs! that cannot shed
Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
For ever piping songs for ever new;
More happy love! more happy, happy love!
For ever warm and still to be enjoy’d,
For ever panting, and for ever young;
All breathing human passion far above,
That leaves a heart high-sorrowful and cloy’d,
A burning forehead, and a parching tongue.

      Keats says that the tree will always be blossomed and there will be never autumn. The songs of lovers will be always new because all songs are imaginative and imagination cannot be the same all time. Keats has represented passion in last two lines of the stanza. It can be said that he has represented his love and passion through “burning forehead and parching tongue”, because love needs sacrifice.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
     Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
     Why thou art desolate, can e’er return.
     
          In this stanza poet captures the image of animal sacrifice which were practiced ancient times and Keats asks the priest about this. In this stanza poet imagines the scene of cow sacrifice in which people have came to attend the event from far villages and all are crowded around the cow. All are looking towards ritual which is placed between the mountains. Poet has encountered the sacrifice as the viewer but he does not know why the ritual was happening and what was the purpose because there was “not a soul to tell” us.

O Attic shape! Fair attitude! with brede
Of marble men and maidens overwrought,
With forest branches and the trodden weed;
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say’st,

“Beauty is truth, truth beauty,- that is all

Ye know on earth, and all ye need to know."


      The last stanza poet again appreciates the beauty of the urn. He appreciates the shape and appearance of the urn. He also noticed the fanciness of the urn. Keats says that when this generation will get old and also lost the urn will be there and tell its story to the next generation. And at last he said the most famous line of the poem about beauty. Here beauty can be suggested as an art and it can be said that art reflects truth and both are also connected deeply. We all need to know this. Each piece of art reflect the truth of its time.